Taha was the best show I've seen this year. Hlehel is outstanding in telling a story that needed to be told. He makes the best use of the monologue form, and his technique at keeping the attention of the audience is sublime. The intertwining of Taha's life story with his poetry was well-placed, relevant and thoroughly broke me by the end. The final poem - 'Revenge', sounded like a forgiveness that was hard to give, and as such carried with it the entire weight of Taha's personal story, and Hlehel's tie to him. It was personal, dynamic, and bore truths that resonated with me so deeply it shocked me. This was all I wanted from theatre.
H.G. Well’s wrote The Star in 1897, but apocalyptic/disaster fiction had already existed for thousands of years. Well, the authors didn’t think they were writing fiction, but nevertheless, they were still writing speculative ‘non-fiction’. A quick Wikipedia look-up on Google will tell you that hundreds of seers have prophesized the end of mankind. Unfortunately, fortunately, they have all been wrong! Yet, these countless predictions prove a point about our very own human nature: many of us have fetishized the ‘end of the world’. Christians call it the rapture. Vikings called it Ragnarok. Others called it the Apocalypse. All these stories about our eventual end on this earth have a common thread: there is some greater reason for our end to occur – most of the time, it involves the triumph of good over evil. This is where The Star differs in its narrative. Instead of focusing on some grand narrative of good gods achieving a final victory over the forces of evil, it sticks to d
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