Emergent in the original and secondary literature on improvisation are four central principles of applied improvisation: (a) accept all offers, (b) recognize gifts, (c) build on every idea, and (d) support fellow players. 1 The improv mantra “Yes, and” encompasses the first three tenets. Saying “yes” means an improviser accepts any offer her fellow players present; she will not block or reject ideas. Johnstone ( 1979/2012 ) calls blocking “a form of aggression,” a default response to fear of the unknown or giving up control (p. 96). To think like an improviser is to reverse this tendency and become open to allowing the action to develop by accepting the ideas of the ensemble. Furthermore, saying “yes” means that a player is alert and listening to all the offers a scene partner presents. Because improvisation traditionally uses no props or costumes, improvisers must recognize everything that their ensemble says and does as a “gift” or “offer” that they might use to advance the scene. I
1.30am Be specific and detailed, you know, really go deep. Keep asking why. Tell me something you didn't know about yourself. Tell me something I'd never seen. Tell me an a-ha moment, an insight, an unseen revelation. Tell me truth. ... A most valuable commodity. Tell me the truth. Here it is: I am back at my wooden desk, much like the one miles (yes, miles) away in Bostonia. Long hair, black jacket - feeling cold and old, and alone. I had friends but none that I really wanted to put in the time to be friends with. I did try - beer, shots, even clubbing, even that day in the parking lot and then the colourful aisles of cereal boxes and chips. Still the same, but with a haircut. More balanced now? Hmm, perhaps. Less in touch with friends. Hmm. Yes. New acquaintances, new-ish friendships. Ah. Yes. yes, yes. The ol' friendsyouwannakeepintouchwithbutitsreallyhardtodowithoutanactivitylikeschoolorsomeformofchurchlikespacetotieeveryonetogethersowehavestufftodowhichwou